
Riccardo Chailly - Shostakovich: The Jazz Album
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Sometimes a band comes along that defines what it is to be inspired, and expresses this with a kind of music that few knew existed. Whatever muse influences drummer Virgil Donati, keyboardist Derek Sherinian and guitarist Tony MacAlpine to weave such creations is an animal of many realms; jazz, classical, metal, all equally represented but mixed and matched in a way no one had ever dreamt of.
Each piece is so complex and angular, and played with such brilliance and faculty, that Planet X's 'Universe' comes off as a singular experience rather than a collection of cuts. To single out a few tracks wouldn't do this one justice; a heavier and more powerful work than their follow-up 'Moonbabies' yet no less adept, with shameless flash, a great production and no time wasted with unnecessary passages or sentimental journeys. Donati, Sherinian and MacAlpine cut right to the meat, slice it masterfully into chunks and serve it pure without too much spice to cover-up the flavor of divine heaviness. If you can imagine the feeling musicians must have had when they first heard the Mahavishnu Orchestra, you get a sense of this project... otherworldly, a metallic fusion of cosmic proportions and a force to be reckoned with.

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If were essentially regarded as Britain’s answer to Chicago and maybe Blood Sweat & Tears, mixing rock, blues and jazz – but originally with the emphasis on jazz as they were a 7 piece band featuring organ, saxes, flute and drums, bass and lead guitar. The band toured with such diverse artists including Miles Davis, Cream, Traffic and Black Sabbath but never really hit the big time, apparently too jazzy for rock fans but a bit too rock for jazzers. Though they were compared to and sounded much like Chicago and B S & T in places they generally went further in their music and were more innovative than those commercially successful bands, and as a result were less well known outside the UK.
On this their debut album, the opening track “Reaching Out on All Sides” has a very bluesey feel and features the vocals of JW Hodgkinson. The next song “What Did I Say About the Box” which is an outstanding eight-minute instrumental giving each member a chance to show off their solo skills– a Chicago style sound and includes a very Tull sounding flute solo, in my opinion the best track on the album. “What Can a Friend Say” includes good sax solo, builds up to a great guitar solo and finishes off side 1 on my brilliant sounding pink Island album – at the time of writing the band’s first four albums have been remastered and reissued on CD so are now easily available.
A big band-sounding “Woman Can You See (What This Big Thing is All About)” kicks off on side 2 , followed by a poppy Chicago– sounding song called “Raise the Level of Your Conscious Mind” and the slow reflective “Dockland”. The last track on the album “The Promised Land” has a more typical If sound and has a catchy chorus – this may have been a good choice for a single, as it seems to me to be the second best song on the album. The album overall is strong on musicianship but better songs came along on later albums – but a fabulous debut nevertheless!

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