Moderatori/ce: Bobi, Chmoljo, ostro i na prvu
Postao/la fritz dana 09/07/2009 14:47
Postao/la ShoePac dana 09/07/2009 21:42
http://rapidshare.com/files/291945545/W_Delgado_2004_Tanger.part1.rar
http://rapidshare.com/files/291950301/W_Delgado_2004_Tanger.part2.rar
Postao/la exy dana 18/07/2009 00:35
In more ways than one, Metafonia clearly signals a new beginning for Portuguese ensemble Madredeus. After having established themselves as one of the more prominent names in the ethnic/ambient music universe, and turning singer Teresa Salgueiro into a world music diva in the process, the band virtually disintegrated in 2007. Salgueiro quit to pursue a solo career, and with her also went Fernando Judice and José Peixoto. True, Madredeus went through several lineup changes in the past, but none were as traumatic as losing its singer, by far the most recognizable element of the band's sound and image. Even so, Pedro Ayres Magalhães, the only remaining founding member and main composer, decided to reshuffle and move on, instead of calling it quits. Metafonia is billed as a Madredeus & a Banda Cósmica album, since an entire band was asked to join for this project. To Madredeus stalwarts Pedro Ayres (classical guitar) and Carlos Maria Trindade (synthesizers), Ana Isabel Dias (harp), Sérgio Zurawski (electric guitarra), Gustavo Roriz (bass), Ruca Rebordão (percussion), Babi Bergamini (drums) and Jorge Varrecoso (violin) were added. Most critically, Salgado's place was split between vocalists Mariana Abrunheiro and Rita Damásio, who do the job well, but do not do it better. So the question critics and audiences have been debating since the release of Metafonia is, how appropriate it is to still call this band Madredeus, as it is clearly something else? The list of new instruments alone, most notably electric guitar, bass, and drums, hints at a music deemed unthinkable for the original Madredeus, a band that chased the purity of the acoustic sound (often using period instruments) with almost religious zeal. All this make it quite hard to objectively judge Metafonia. Let something be made absolutely clear, however: this is by no means a bad album. In fact, it is often quite beautiful -- but it is not like previous Madredeus albums. If Madredeus was often criticized for making the same record over and over again, that certainly does not apply to Metafonia. This album is as tastefully crafted as ever, but the music this time is less original, or perhaps one should say, less Portuguese. On the other hand, the influences of Brazilian, Caribbean, and African music, or even good old-fashioned pop/rock music, come to the fore with unprecedented force. Instead of the hypnotic lullabies of the past, the new Madredeus makes songs, some of which would not be out of place in the records of say, Bebel Gilberto or Césaria Évora. Aware that comparisons were inevitable, Ayres had the courage to confront the matter head on. Indeed, while the first disc of this double album features all new compositions, the entire second disc consists of Madredeus classics redone in the new style. The ultimate verdict is mixed. While Metafonia is probably no match for the haunting beauty of the early Madredeus, it is still an exquisite lounge/world music album. Yes, a huge chunk of the magic is undeniably gone with Salgueiro, but it is also true that the band had lost the quality of being mesmerizing and were instead, merely repetitive. Metafonia, on the other hand, is a bold new step. Only time will tell what will happen with Madredeus in the future, but with Metafonia at least they are showing a new sense of adventure, as well as their customary superlative craft. -- AMG
http://rapidshare.com/files/255632581/M-ABC-Meta1.zip
http://rapidshare.com/files/255632568/M-ABC-Meta2.zipPostao/la quayofrepose dana 20/07/2009 21:35
Postao/la quayofrepose dana 20/07/2009 22:45
Postao/la quayofrepose dana 20/07/2009 22:57
Postao/la eddy2211 dana 21/07/2009 22:19
Postao/la exy dana 23/07/2009 12:16
As one of Africa's most pivotal musicians, Baaba Maal has consistently produced music that challenges cultural expectations as well as political/social consciousness. Since he was not born into the griot caste, the group that traditionally produces music and documents history, Maal oversteps many barriers to create tunes that inspire dancing, thinking, and spiritual connection. Missing You (Mi Yeewnii) represents a pinnacle of sorts. After the commercial success of Firin' in Fouta and Nomad Soul, which were albums that presented a seamless blending of modern and traditional cultures, Missing You returns to the natural essence of African music -- the people and land itself. It's an offering that reaches both the modern and traditional worlds without compromise. This CD is a collection of intimate, pure tunes enhanced only by traditional instruments and Maal's soaring voice. Recorded in the small village of Nbunk, just outside of Maal's native Dakar, the album brims with the nuances of rural African life. Composed on acoustic guitar, the songs range from the throbbing percussion of "Leydi Ma," to the unadorned simplicity of "Miyaabele," a melody indigenous to all of West Africa, which Maal brilliantly uses as a plea for African unity. Boasting balafons, koras, drums, hoddu (African lute), and even crickets, Missing You reflects Maal's vision of one Africa, and it's a beautiful vision indeed. -- AMG
http://rapidshare.com/files/258662894/Missing_You__Mi_Yeewnii_.zipPostao/la hadzinica dana 23/07/2009 23:41
quayofrepose je napisao/la:Mercan Dede - Sufi Traveler 2004
http://rapidshare.com/files/22138077/MeDeSufiTrav.part1.rar
http://rapidshare.com/files/22143081/MeDeSufiTrav.part2.rar
http://rapidshare.com/files/22146801/MeDeSufiTrav.part3.rar
Pass:shams
Tracks:
Disc: 1
1. Nar-1 Ney
2. Nar-1 Mey
3. Nar-1 Yar
4. Nar-1 Ask
5. Nar-1 Sems
6. Nar-1 Can
7. Nar-1 Cem
8. Nar-1 Seher
Disc: 2
1. Guilname
2. Semaname
3. Hayalname
4. Sahname
5. Neyname
6. Vefaname
7. Askname
8. Falname
9. Sirname
Postao/la quayofrepose dana 24/07/2009 20:31
hadzinica je napisao/la:quayofrepose je napisao/la:Mercan Dede - Sufi Traveler 2004
http://rapidshare.com/files/22138077/MeDeSufiTrav.part1.rar
http://rapidshare.com/files/22143081/MeDeSufiTrav.part2.rar
http://rapidshare.com/files/22146801/MeDeSufiTrav.part3.rar
Pass:shams
Tracks:
Disc: 1
1. Nar-1 Ney
2. Nar-1 Mey
3. Nar-1 Yar
4. Nar-1 Ask
5. Nar-1 Sems
6. Nar-1 Can
7. Nar-1 Cem
8. Nar-1 Seher
Disc: 2
1. Guilname
2. Semaname
3. Hayalname
4. Sahname
5. Neyname
6. Vefaname
7. Askname
8. Falname
9. Sirname
ne valja pasvord
molim te provjeri, hvala
Postao/la quayofrepose dana 24/07/2009 20:33
Postao/la Salome_ dana 25/07/2009 13:06
quayofrepose je napisao/la:Mercan Dede Full Discography
Mercan Dede - Su (2004)
http://rapidshare.com/files/12332548/Mercan_Dede_-_Su__2004_.rar.html
Tracks:
01. Ab-i Ru (05:22)
02. Ab-i Lal (05:44)
03. Ab-i Zen (05:51)
04. Ab-i Tarab (06:20)
05. Ab-i Beka (06:31)
06. Ab-i Hayat (07:40)
07. Ab-i Cesm (05:45)
08. Ab-i Nar (05:43)
09. Ab-i Beste (06:31)
10. Ab-i Nafi (05:06)
11. Ab-i Hazan (06:19)
12. Ab-i Verd (06:38)
Postao/la quayofrepose dana 26/07/2009 01:05
Salome_ je napisao/la:quayofrepose je napisao/la:Mercan Dede Full Discography
Mercan Dede - Su (2004)
http://rapidshare.com/files/12332548/Mercan_Dede_-_Su__2004_.rar.html
Tracks:
01. Ab-i Ru (05:22)
02. Ab-i Lal (05:44)
03. Ab-i Zen (05:51)
04. Ab-i Tarab (06:20)
05. Ab-i Beka (06:31)
06. Ab-i Hayat (07:40)
07. Ab-i Cesm (05:45)
08. Ab-i Nar (05:43)
09. Ab-i Beste (06:31)
10. Ab-i Nafi (05:06)
11. Ab-i Hazan (06:19)
12. Ab-i Verd (06:38)
Možeš li mi reći koji je password za ovaj album? Ne mogu otvoriti file, piše da je enkriptovan. Hvala.
Postao/la quayofrepose dana 02/08/2009 13:23
Postao/la quayofrepose dana 02/08/2009 13:32
Postao/la eddy2211 dana 03/08/2009 23:22
Postao/la exy dana 04/08/2009 14:18
Zap Mama's last album was the first one to incorporate instrumental sounds into the group's six-voice a cappella mix; it was also the first to include male voices. On A Ma Zone, group leader Marie Daulne has expanded the exploration of American R&B and hip-hop that she began with Seven. Breakbeats, jazzy upright bass, and turntable manipulation are now a part of the mix -- a mix that was already rich with European and West African influences. "Gissie" draws most deeply on Daulne's Central African Pygmy roots, with its call-and-response structure and her unearthly yodeling; "Rafiki," which opens the album, is a collaboration with Black Thought (of the Roots) that segues beautifully into "W'Happy Mama," on which Daulne shows off her own speed-rap flow (in French, of course). "'Allo 'Allo" and "Call Waiting" both hint at her ongoing obsession with the telephone, an instrument that she seems to find mildly repellent but can't seem to ignore. Everything on this album is both complex and immediately accessible, simultaneously deeply funky and sweetly gentle. Very highly recommended. -- AMG
Postao/la quayofrepose dana 06/08/2009 16:13
Postao/la Salome_ dana 09/08/2009 11:50
quayofrepose je napisao/la:Password: aris
Inače, super muziku postaš. Postao/la quayofrepose dana 09/08/2009 23:39
Salome_ je napisao/la:quayofrepose je napisao/la:Password: aris
Hvala.
Postao/la quayofrepose dana 10/08/2009 01:19
Postao/la quayofrepose dana 10/08/2009 01:30
Postao/la ShoePac dana 10/08/2009 01:44
http://rapidshare.com/files/265596721/W_Hippies_2004_IFNI__256.rarPostao/la quayofrepose dana 10/08/2009 01:46
Postao/la quayofrepose dana 10/08/2009 01:47
Trenutno korisnika/ca: / i 16 gostiju.
