mirza81 je napisao/la:Alela and Alina - Alela Diane featuring Alina Hardin (10/2009)
možeš li ponovo staviti, ne valja link a ni na googleu ne mogu naći, hvala!
poslao na PM
Moderatori/ce: Bobi, Chmoljo, ostro i na prvu
Postao/la victory dana 24/09/2009 14:47
mirza81 je napisao/la:Alela and Alina - Alela Diane featuring Alina Hardin (10/2009)
možeš li ponovo staviti, ne valja link a ni na googleu ne mogu naći, hvala!
Postao/la victory dana 24/09/2009 15:12
http://rapidshare.com/files/283762095/HA_A2PP_Vic.zipTo start, this is the album I have been waiting for since I heard Horace Andy on Massive Attack’s Protection album. Heavy dub bass pounding along with jumped-up beats and sci-fi electronics sparkling through the speakers would be more than enough for a dub-head like me but add in the always outstanding vocal contribution from Horace Andy and my day-month-really year has been made.
The production is stellar with layered beats, funky grooves, and a confidence that matches the expectations associated with Horace Andy. This is future dub and makes no concessions or sacrifices in its focus. One refreshing element of Two Phased People is how Alpha places Horace’s vocals front and center with little to no effects on it. Horace’s voice is a distinct instrument that needs no studio-trickery to mesmerize the ear. So to hear it immaculately-recorded and presented front-and-center is a top priority on my checklist of satisfied listening.
The second surprising element is that the songs “backing” track music is allowed to breathe and showcase how important the “riddems” are in dub and reggae. Track 2 clocks in over eight minutes as it builds itself into a dub meditation. Alpha’s production and composition skills have always been under-rated and criminally ignored in the realm of downtempo. So to hear them fleshed out and allowed moments to step to the forefront is a welcome addition. One of my main complaints about dub vocal collaborations are that the songs are hurried along and shortened to end right when the vocals finish and never gives the listener time to just take a breath and understand the groove and relish the dub delay.
Alpha’s signature sound is all over this production but they have understood that this is a collaboration and not their own album. This fact makes for an exciting proposition as we get to hear Alpha producing in an expanded way and Horace singing with a freedom to use his strength of strong melodies and still remain classic dub. Track’s 4 and 6 are the most “traditional” dub tracks and are so strongly written both lyrically and musically that reggae fans would want to shake their dreads to it.
Dare I say it but this album satisfies my need for another Massive Attack album. Not to say that Alpha are trying to recreate Massive Attack’s sound. Two Phased People just fulfills my need for forward-thinking dub that doesn’t rely on the past but strives to move dub into the future. Track 7 is a perfect example of this that fits in perfectly with the dub/electronica/dubstep coming out of Europe.
So this album could have been an easy one to relax and let Horace’s name sell the production. But never fear, Alpha sounds like they have something to prove (and they do prove it) and have produced an unexpectedly-upbeat album that emphasized electronics far more than any of their own releases. The music is mind-blowing, especially on Storm, Track 2 and Track 3 as an opening sequence that makes you smile, groove and haze out for nearly an hour to the dramatic ending of Track 11 that finishes the affair in an emotional flourish with swelling strings and crashing drums.
And finally, my favorite part of the record is the fact that you can hear and feel the amount of work that drove the making of Two Phased People an artistic statement. And in true dub soundsystem clash ethic, now the bar has been set high and creates expectations for future releases to match this effort by Alpha and Horace Andy.
Dedric Moore
Properly Chilled Magazine
Postao/la Death in Vegas dana 24/09/2009 18:03
“When Keith played me Yankee Reality I knew it was not only the best Hush Arbors album, but also that Keith’s work had entered an entirely new world bursting with hauntings.
This is a classic, timeless, ageless American album, full of hope and yearning, beauty and melancholy, and which pours out stories like flowers. Are these rainbow-at-end-of-the-world songs? Or heart’s break/heart’s ease-at-the-end-of-the-road songs? Anyway, I thought of horses and acid, death sleeping in a shack, the river bursting its banks and grinning like whisky, the birdlight and fading empires. Starry, dreamlike, plaintive, gorgeous and broken, Yankee Reality is a perfect and utterly individual work, endlessly inventive yet instantly recognizable as being in a noble and generous tradition.
Yankee Reality sends shivers through my body when I listen to it. I don’t know where to start, because I don’t know where it ends. A circular masterpiece effortlessly stationed between the sea, the sun and the moon.”-David Tibet/Anok Pe/Current 93, August 25, 2009
“Yankee Reality continues Wood’s winning streak while introducing an embarrassment of riches in the way of surprises and curveballs along the way. “Day Before,” featuring J Mascis’s unmistakable lead guitar, immediately elevates this triumphant opening number to ‘classic Hush” status.
Next up is “Lisbon,” a bouncy, folk rock number reminiscent of the Byrds, punctuated by a searing solo. “Fast Asleep” is a distended, plaintive dirge that evokes wooziness and wispiness over a stoned guitar drone. “So They Say” picks up where “Fast Asleep” leaves off, a languid tune built around slo-mo guitar drenched in reverb and Wood’s gentle voice. “One Way Ticket” is up next and one of the most adventurous Hush Arbors songs since dude started singing actual words. Built on a wonderfully apprehensive-sounding piano line and druggy atmosphere.As for “Coming Home” – well, that one’s another curveball.
Easily one of the finest songs Wood has written to date, this beautifully arranged number features a gorgeous strings-approximating mellotron every time the song radically changes gears from two step country / Creedence boogie to its out-of-nowhere chorus, which oughta have the girls in Band of Horses t-shirts swooning in no time. If “So They Say” is Wood’s take on the Velvet’s third album, surely “Sun Shall” is his “Venus in Furs,” compete with a propulsive, insistent Moe Tucker beat (provided by Mascis) and ominous ostrich guitar jangle. “Take It Easy” may be the album’s best track. On this easy, breezy country number, Wood plays it relatively straight, owning up to his hillbilly roots and mixing ‘em up with more than a little Norman Greenbaum “For While You Slept,” again featuring Mascis, quotes Petty’s “American Girl” before lifting off into what could only be considered a wedding song – if the reception was held at Roswell City Hall.
Just when you think Wood’s mellowed out too much, “Devil Made You High” ends things on a serious art-punk tip. From the sounds of it, Wood probably agrees with me that The Smiths were best when they tried to rock out – “Shakespeare’s Sister,” “London,” Handsome Devil” – those were the jams! Yeah, so the albums ends with this unabashed garage pop tune which, by the conclusion, has gone totally off the rails, like the boys are trying to give Kawabata a run for his money.
Maybe you were expecting something else from an album that thanks a wood chopper ghost in the liner notes and is dedicated to Link Wray? “Ride the tubes back home,” indeed.”-James Jackson Toth Nashville, TN August 2009
http://rapidshare.com/files/284443239/Harbors.rarPostao/la exy dana 26/09/2009 07:59
Embryonic is the title of the upcoming twelfth studio album by Oklahoma experimental rock band The Flaming Lips set to be released on October 13, 2009. It will be the first double album to be released by the band, announced during an interview with the band's frontman Wayne Coyne,
Somewhere along the way it occurred to me that we should do a double album... Just this idea that you can weave a couple of themes into there and you can sprawl a little bit,
As of May 2009, the album is being recorded at multi-instrumentalist Steven Drozd's vacant house.
MGMT contributed to one song, and Karen O on more than one.
The style of these tracks will be different from the previous albums, Yoshimi Battles the Pink Robots and At War with the Mystics, and has been reported to be similar to the style of Joy Division, a Miles Davis group, and John Lennon.
Wayne Coyne says the new record solves their perpetual "dilemma" of what to include on each album, by dumping all their ideas on the follow-up to 2006's At War with the Mystics. Coyne had this to say about the double-LP decision to Billboard: "Some of my favorite records – thinking Beatles' White Album, Zeppelin's Physical Graffiti and even some of the longer things that The Clash have done – part of the reason I like them is that they're not focused. They're kind of like a free-for-all and go everywhere. It's not necessarily because we're prolific, I think we always stay in a sort of perpetual panic of like we never have more songs than we need and we always wonder if any of them are any good to begin with." Coyne notes that Embryonic is less polished than Mystics or 2002's Yoshimi Battles the Pink Robots and has a "freak-out vibe". The frontman also notes the influence of Miles Davis's group and slow-burn songs like John Lennon's "Instant Karma!". -- http://en.wikipedia.org/wiki/Embryonic
http://rapidshare.com/files/309358231/The_Flaming_Lips_-_Embryonic__2009_.rarPostao/la victory dana 26/09/2009 13:45
http://rapidshare.com/files/284667731/VitFla_Vic.zipPascal Arbex-Nicolas, better known to the clubbing fraternity as Vitalic, delivers his sophomore album of euphoric Euro-synths and pounding EBM styles. You kinda know what you're getting into with Vitalic, and if you don't, then you may want to back away quietly and leave like nobody saw you. This is Clubbing music with a capital C, for people who like to get smashed and have a good pound-off. The title track has refined his formula of everlasting crescendos and mechanical rhythms to an immediately effective hit, while 'One And Above' will appeal to fans of older Belgian New Beat, and 'Terminatuer Benelux' for the new school heads (probably the same people actually), while 'Second Lives' is like the NRG-Tranz that Tiesto wishes he had the balls to make. 'Your Disco Song' is our favourite, featuring enough nuclear powered synthlines and naughty vocoders to make up for the current MDMA drought for about, ooh, 3mins 37secs? In times of need, turn to Vitalic, he still knows how to get it.
http://www.boomkat.com/item.cfm?id=226767
Postao/la victory dana 26/09/2009 14:54
http://rapidshare.com/files/285063055/ThKBLF_Vic.zipThao teams with the Get Down Stay Down on her follow-up to the critically acclaimed We Brave Bee Stings and All. Tucker Martine, producer for the Decemberists, Bill Frisell, and Spoon, mans the control mans the control booth and members of Blitzen Trapper and Horse Feathers take guest turns on the recording along with Andrew Bird and Laura Veirs.
Postao/la victory dana 26/09/2009 15:44
http://rapidshare.com/files/285248719/HBHTFD_Vic.zipHowie Beck albums are few and far between, but we can forgive the Torontonian for his lack of productivity since he spends most of his time producing albums for the likes of Hayden and Jason Collett.
Beck stepped into the indie spotlight with 1999's Hollow, a quiet and introspective folk affair. He followed it up five years later with a self-titled album that veered towards pop territory.
Beck's predilections have made a further shift another five years on, but only a slight one. He's adopted a somewhat Sondre Lerche-like vibe both musically and in vocal style. There are also moments on How To Fall Down In Public where Beck's guitar work is reminiscent of Neil Halstead's solo material. While the subject matter is as personal as ever — with veiled references to relationships and amour — Beck has some fun on this disc, too.
It won't make any best-of lists, but this is another victory. Beck rarely disappoints.
http://www.chartattack.com/reviews/6648 ... -in-public
Postao/la Death in Vegas dana 26/09/2009 16:03
http://rapidshare.com/files/285271821/Dan_D.rarPostao/la victory dana 26/09/2009 17:08
http://rapidshare.com/files/285296711/EJWVA_Vic.zipThe Emily Jane White second full-lenght "Victorian America", recorded in San Francisco and Portland, will be released on october 12th.
Emily Jane White is currently on tour in Germany, and will be back in Europe to support this new release late november, early december.
Postao/la exy dana 26/09/2009 18:27
Something of a one-man mixture of the Cramps, Beck's early indie records (circa One Foot in the Grave), and the soundtrack to O Brother Where Art Thou, singer and guitarist Langhorne Slim offers a sardonic, modern take on traditional folk, country, and blues. Fancifully dubbed "the bastard son of Hasil Adkins" in some of his early press releases, Langhorne Slim is in fact a Pennsylvania native who resettled in Brooklyn after his graduation from the State University of New York at Purchase. After a self-released demo garnered some local and online attention (as well as a semi-regular gig as the opening act for indie novelty outfit the Trachtenberg Family Slideshow Players), Langhorne Slim signed with the indie label Narnack Records and released his first EP, Electric Love Letter, in March 2004. The more varied and band-oriented full-length When the Sun's Gone Down followed in the spring of 2005. Much touring ensued over the next year, including support dates with Lucero and Murder by Death, with drummer Malachi DeLorenzo and upright bassist Paul DeFiglia (aka "the War Eagles") in tow. In 2006, Langhorne Slim signed with the larger (though still not major) label V2 Records, which released the all-new EP Engine in September of that year, as the singer was finishing recording his second full album, produced by Josh Ritter's keyboardist, Sam Kassirer. The deal fell through, however, and the band was left labelless. Langhorne Slim found a new home on Kemado Records, who released the self-titled album in the spring of 2008. -- AMG
One of the most endearing and standout qualities of Slim's live shows is the sureness that one is always entering a genuine gospel-like musical experience full of little miracles. Be Set Free has captured this charisma and spirit -the "hold your heart" moments and "raise a drink" dance vibes shine throughout with lush string arrangements and the fine sonic talents of drummer Malachi DeLorenzo and new bassist Jeff Ratner. Langhorne's stronger than ever vocals lead the journey blending his poetry through the beautiful chaos and bearing a wisdom that reflects a broken heart battling the perils of true hope.
Be Set Free is Langhorne's most cinematic and cohesive effort to date. Slim has truly reached a point of light where these songs come from wide-eyed maturity and mastered craft.
Gut wrenching lyrics and gorgeous merry melodies-it would be easy to categorize it as folk, but this time-it's much more complex than just that slice of pie. Sweet hallelujah choruses bleed throughout tracks like "Land Of Dreams" and "Say Yes" and turn to the darkness of blues filled "I Love You, But Goodbye".
http://rapidshare.com/files/287084193/Langhorne_Slim_-_Be_Set_Free.rar.htmlPostao/la exy dana 27/09/2009 14:20
The traditional sounds of old-timey string band music is only element of the musical tapestry woven by San Francisco-based quintet the Waybacks. Roots Town Music Magazine called them "a dream combination of punk vandalism and hyper-intelligent, seldom heard, humoristic musicality," while the Winnipeg Free Press praised them for their "unpretentious musicality." Describing their musical approach, shoprecords.com wrote, "it's everything from 'Kumbaya'-like folk and cowboy jazz, space jam, celtoid, agnostic gospel, beat poetry, Grappelli-esque swing, and acoustic originals."
Steeped in Americana, West Coast outfit the Waybacks are able to meld Appalachian or mountain music with a summery "jam band" feeling for most of this record. Whether it is the somewhat catchy "City Boy," with its somewhat odd bridge, or the mellow "Nice to Be Alone," the group is content to let the melodies do most of the work. But sometimes the laid-back Jack Johnson-ish melodies don't quite measure up, especially on the winding and somewhat meandering "The River," which has some fleeting quality moments. Thankfully, things get back on track with the leaner pop-country of "Good Enough," bringing Jimmy Buffett or Dire Straits to mind. Meanwhile, the group seems to shine during the tranquil, placid "Savannah" with its swinging Django-like hue, and the honky tonk effort "Tired of Being Right." Probably the dark horse or sleeper on this folk-pop album is the swaying waltz-like Celtic-leaning number "Beyond the Northwest Passage," in the vein of the Pogues or Flogging Molly. Following the cinematic violin introduction of "Black Cat," the Waybacks move into a klezmer-meets-bluegrass feel with interesting results. -- AMG
http://rapidshare.com/files/278190154/Waybacks-Loaded.rarPostao/la victory dana 28/09/2009 13:03
http://rapidshare.com/files/285917662/TD_DSS_Vic.zipSunset/Sunrise, the second full length from Seattle duo the Dutchess & the Duke, is a slump-dodging opus that takes the dark, raw beauty of the band's debut and scales it up to distinctly luminescent heights, thanks to a graceful synthesis of painfully earned creative maturity and thoughtful production under producer Greg Ashley's adroitly tuned ears.Though minor chords and romantically morose lyrical yarns about misplaced affections and spiritual inertia remain touchstones, there is a freshing undercurrent of optimism throughout.
Postao/la Death in Vegas dana 28/09/2009 17:20
WHEN MONTGOMERY COUNTY'S Michael Shereikis was a Peace Corps volunteer in the Central African Republic in the early '90s, he was fascinated by the continent's pop music, especially the Afrobeat music of Nigeria. The guitarist eventually joined the Ivory Coast band Zieti and upon returning to the States formed his own Afrobeat band, Chopteeth. In 2008 the 13-member troupe released its first album, "Afrofunk Big Band," and won the Washington Area Music Association's Wammie award for best world music group.
With five horns and three percussionists, this dance band is designed to be experienced live, and the album is more a souvenir of those shows than a major statement of its own. The musicians -- borrowed from such local groups as the Junkyard Saints, the All Mighty Senators, Rumba Club, 2 Funkin' Heavy, Locura, Zeala, Havana Select and Fertile Ground -- hold their own with such guests as the Malian ngoni virtuoso Cheick Hamala Diabaté (on "Wili Nineh") and Sierra Leone's Refugee All Stars (on "Weigh Your Blessings").
Chopteeth pays tribute to its hero Fela Kuti by remaking his song "Fogo Fogo," but the Americans can never hope to match the effortless groove of the original Nigerians. In fact, the album is most interesting when Chopteeth departs from its role models and throws in such curveballs as a bebop trumpet solo, a Cuban percussion fill or a rock guitar break. That is most obvious on "Dog Days," which opens with Mark Gilbert's Rahsaan Roland Kirk-like solo on tenor sax and builds into an organ-guitar jam reminiscent of New Orleans' Meters.
http://rapidshare.com/files/285364329/Cho_K_teeth.rarPostao/la lumin4 dana 29/09/2009 04:07
http://www.mediafire.com/?jgynmnutumqPostao/la victory dana 29/09/2009 09:39
http://rapidshare.com/files/286091731/IBMW_Vic.zip2009 album from the former Stone Roses frontman and winner of NME's Godlike Genius award. Already critically heralded as his finest album yet, My Way sees Brown reunited with long time collaborator, writer and producer Dave McCracken. The album was recorded at Battery Studios, the same place where Brown and the Stone Roses recorded their seminal debut album 20 years earlier. 'Stellify' is the first single to be taken from the album and has already received more radio and video airplay than any previous single. Universal.
Postao/la victory dana 29/09/2009 10:22
http://rapidshare.com/files/286416922/AiLo2_Vic.zipAir is famous for transforming new age music people used love to hate into top-shelf kitsch hipsters love to love. Love 2 marks the first recording at their very own Atlas Studio and, despite cementing a comfort zone therein for Air-like jams, this recording possesses some anomalies to the band’s usual aesthetic. For instance, the drumming, this time undertaken by an American Joey Waronker, often ticks rather speedily, thus transferring action from bedroom to dancefloor. Also novel are the guitar accoutrements, from the heavily psychedelic “Do the Joy” and “So Light is Her Footfall” to the surf-rock riff on “Be a Bee.” That the band is the ambassador of modern French pop says as much about the French as it does the millions of non-French who’ve elected them: we all like France sounding like this.
http://www.americansongwriter.com/2009/09/air-love-2/
Postao/la moonshine dana 30/09/2009 09:18
http://rapidshare.com/files/286689860/VA-CMSSTSOMM.rar01 Thom Yorke - "All For The Best"
02 The National - "Ashamed Of The Story I Told"
03 Michael Stipe - "Everything's Coming Undone"
04 David Berkeley - "Loves The Only Thing That Shuts Me Up"
05 Dinosaur Jr. - "The Backyard"
06 Chris Harford & Mr Ray Neal - "Micon The Icon"
07 Frank Black - "Bill Jocko"
08 Vic Chesnutt - "Little Man"
09 Unbelievable Truth - "Ciao My Shining Star"
10 Butterflies Of Love - "I Have Patience"
11 Chris Collingwood (Fountains Of Wayne) - "Cookie Jar"
12 Frank Turner - "The Quiet One"
13 Rocket From The Tombs - "In Pursuit Of Your Happiness"
14 Ben Kweller - "Wake Up Whispering"
15 Josh Rouse - "I Woke Up In The Mayflower"
16 Autumn Defense - "Paradise"
17 Hayden -"Happy Birthday Yesterday"
18 Juliana Hatfield - "We're Not In Charleston Anymore"
19 Mercury Rev - "Sailors And Animals"
20 Elvis Perkins - "She Watches Over Me"
21 Sean Watkins - "A World Away From This One"
Mark Mulcahy isn’t much of a recognized name. The New Haven musician was part of an indie rock group called Miracle Legion in the 1980s, before I was really listening to indie rock, really. He’s had a small career as a solo artist since the 1990s, and settled into that role of musicians’ musician. Which really meant that, despite the quality of the music he wrote, he wasn’t going to be heard widely. Hopefully, Ciao My Shining Star: The Songs of Mark Mulcahy will trigger some listeners to go back and rediscover his music. The value of the release is both as an introduction and a benefit for a guy whose passion hasn’t necessarily translated into a consistent income.
And while this album doesn’t have the impact of Dark Was the Night or the range of Score! 20 Years of Merge Records, it nicely fills out what has been an unusually fertile year for indie compilations. With contributions from the National, Ben Kweller , and Elvis Perkins (along with 18 others), it’s a substantial release and an excellent overview of Mulcahy’s musical contribution. The shadows of Dylan and Buckley hang behind Mulcahy’s songs, which are of the verse-chorus variety, but borrow liberally from both Buckley’s soul and Dylan’s poetry. The results is neither cloyingly artistic nor middle-of-the-road alternative rock, but something personable, likeable. It’s no-fuss rock, with words that hold a potent impact. Sung in an impassioned plea by Michael Stipe , or Josh Rouse , or Hayden’s Paul Hayden Dessler, they come alive. “I know that I will be all right”, goes Stipe’s rendition of “Everything’s Coming Undone”, a lovely song puffed up on a background of droning guitars.
No doubt the most widely publicized entry in the compilation is also the opening track, Thom Yorke’s rendition of “All for the Best”. It’s a gorgeous song, and a gorgeous arrangement that pools the best of both artists. Yorke brings an ascetic rigor to the song through his rolling-forward drum machine arrangement (those sharp, percussive punches that muscle in midway through the song are the most aggressive thing we’ve heard from Yorke’s solo material). Mulcahy’s simpler structure and peaceful chorus give Yorke a destination, and an anchor. But it’s not the only highlight on the album. The National are haunted and expressive as always on “Ashamed of the Story I Told”; Frank Turner wisely lets the words do the work in the astounding “The Quiet One”; Hayden layers voices Bon Iver-style in a jaunty/heartbreaking version of “Happy Birthday Yesterday”. Each are impressive, not only for the competent performances, but for the way Mulcahy’s relaxed vibe seems to permeate every note.
If there’s a complaint to be made about the release, it’s a commonly-heard criticism of compilations. Understandably, given the charity-for-the-artist nature of the project, as many of the contributions as possible have been included. You just can’t avoid a chunk of filler. In addition to the 21 songs on this album, there are apparently a further 20 covers of Mulcahy’s songs to be released digitally, and which are as yet unheard. That some of these make less of an impression is understandable. It’s enough, really, that Ciao My Shining Star offers those little discoveries that excite us—a new, old artist, who’s pretty good. Pretty good indeed.
Postao/la Death in Vegas dana 01/10/2009 16:32
In the Fall of 2008, Javier “Jake” Matos (Blue Shadows), Scott “Chopper” Franklin (Cramps, Charley Horse), Bill “Buster” Bateman (Blasters, Red Devils) and John Bazz (Blasters) came together to record “Diggin’ at the Doghouse”. The songs infuse their histories of blues, rock n roll, country and rockabilly to create a unique mixture that makes for fine sippin’ of a Molotov cocktail. And with a band whose members have performed/recorded with Johnny Cash, Bo Diddley, Carl Perkins, the Fabulous Thunderbirds and Willie Dixon, that makes for some good drinkin’.
http://rapidshare.com/files/286641768/Doghouse_Lords_-_Diggin__at_the_Doghouse_K.rarPostao/la marimahunar dana 04/10/2009 09:36
victory je napisao/la:
Ian Brown - My Way (09/2009)
- Kod: Označi sve
http://rapidshare.com/files/286091731/IBMW_Vic.zip2009 album from the former Stone Roses frontman and winner of NME's Godlike Genius award. Already critically heralded as his finest album yet, My Way sees Brown reunited with long time collaborator, writer and producer Dave McCracken. The album was recorded at Battery Studios, the same place where Brown and the Stone Roses recorded their seminal debut album 20 years earlier. 'Stellify' is the first single to be taken from the album and has already received more radio and video airplay than any previous single. Universal.
1. Stellify
2. Crowning Of The Poor
3. Just Like You
4. In The Year 2525
5. Always Remember Me
6. Vanity Kills
7. For The Glory
8. Marathon Man
9. Own Brain
10. Laugh Now
11. By All Means Necessary
12. So High
Postao/la Death in Vegas dana 07/10/2009 05:02
http://rapidshare.com/files/289653956/Wintersting.rarPostao/la lumin4 dana 07/10/2009 05:38
lumin4 je napisao/la:Alela and Alina - Alela Diane featuring Alina Hardin (10/2009)
new edit (10-6-09):
- Kod: Označi sve
http://rapidshare.com/files/288558687/Alela___Alina.rar
http://sharebee.com/f850b44a
Postao/la taylor dana 07/10/2009 22:54
Postao/la victory dana 08/10/2009 10:12
taylor je napisao/la:vic,ako možeš pomoči ,tražim The Very Best - Warm Heart Of Africa" (2009),unaprijed hvala
http://rapidshare.com/files/290190917/TVBWHoA_Vic.zipBack in 2007, a chance meeting at a second-hand furniture store led the Malawian singer Esau Mwamwaya to team up with the European DJ/producer duo Radioclit to form the unlikely group the Very Best. Last year, they dropped Esau Mwamwaya and Radioclit Are the Very Best, a leftfield surprise of a mixtape that joyously smashed borders and crashed year-end lists, including ours.
Radioclit drew all sorts of lines between various strands of African-influenced pop music and actual African music, backing Mwamwaya with everything from Vampire Weekend's "Cape Cod Kwassa Kwassa" to Michael Jackson's theme from Free Willy. Mwamwaya, singing in four different languages, made everything flow together effortlessly, bringing a dizzy lightness to every track that came his way.
Thankfully, that mixtape didn't mark the end of Mwamwaya's collaboration with Radioclit. This fall, the Very Best will return when Green Owl releases Warm Heart of Africa, the group's official debut LP. M.I.A. and Vampire Weekend frontman Ezra Koenig will make guest appearances, on the tracks "Rain Dance" and "Warm Heart of Africa", respectively.
Postao/la victory dana 08/10/2009 10:20
vee-jay je napisao/la:Air ne fercera
Trenutno korisnika/ca: Kaptain Kool, perfect_guy i 63 gostiju.