Can somebody please post the Doveman Album again?
thx
Moderatori/ce: Bobi, Chmoljo, ostro i na prvu
Postao/la dance_r dana 30/10/2009 01:07
Postao/la victory dana 30/10/2009 10:39
dance_r je napisao/la:Can somebody please post the Doveman Album again?
thx
Postao/la victory dana 30/10/2009 11:09
http://rapidshare.com/files/299819533/MoJo_st_Vic.zipA collaborative effort featuring Jason Molina (Magnolia Electric Co.) and Will Johnson (Centro-Matic).
--
Call this the Phantoms of Folk. Call this two lone wolves running together for one dark blissout of a night. Two of the finest indie-folk songwriters of the last decade come together under the Texas sky to quietly lay to tape 14 crushing, haunting tunes, leaving space enough in each to match their surroundings. In this collaboration between Jason Molina and Will Johnson, each seem to hold the other’s talents to fire and elevate both performance and creativity. In the friendly sharing of ideas, Molina and Johnson become two poet’s poets in a workshop, aimed to craft a singular, searing elegy.
Will Johnson describes this alignment of two red stars: “For ten days we wrote, co-wrote, workshopped, complimented, scrutinized, drank, invited friends to come play music, smoked, made lots of notes and drawings, drank a little more and shot the BB gun off the back porch when we just needed some time and space. In the throes of all this, our record was made in the late February sun.”
The album is also abound with contributions from other fine musicians, such as Magnolia Electric Co.’s Michael Kapinus and Texas songwriter Sarah Jaffe, whose plaintive vocals “All Gone, All Gone,” accompanied by the sound of a crying saw, will stir in your gut for days. Other accomplished contributors include Howard Draper, Bryan VanDivier and Scott Danbom.
Molina and Johnson will be available on Secretly Canadian November 3 in the US, and November 2 in the UK.
http://www.molinajohnson.com/
Postao/la victory dana 30/10/2009 11:46
marimahunar je napisao/la:za koga Zikica pise sada ?
Postao/la victory dana 30/10/2009 12:12
http://rapidshare.com/files/299821447/N_WDS_Vic.zipNorfolk & Western frontman Adam Selzer has a great pair of ears, the kind people will pay serious money to make professional use of.
Selzer's "day gig" revolves around his partnership in Type Foundry Recording studios, the small, well-regarded North Portland music emporium responsible for albums from artists ranging from Spoon and M. Ward (in whose backing band Selzer serves) to the Decemberists (Selzer's bandmate, Rachel Blumberg, was once the drummer) and Thao With the Get Down Stay Down. All have tapped into Selzer's talent to breathe new life into their music.
Selzer also has spent the past decade helming his own band, Norfolk & Western, whose trademark sound is a sepia-toned Americana that toggles between simplicity and intelligence, often pulling off the mean feat -- in a manner similar to the Band -- of embodying both characteristics simultaneously.
On Norfolk & Western's sixth full-length album, "Dinero Severo" (loose Spanish translation: "Severe Money"), Selzer sticks to what he does best: straightforward piano-based melodies spiked with guitar skronk. The tunes sometimes take the shape of a Dream Syndicate-like talking blues ("Whippoorwill Song"). Others are oddities whose melody and structure resembles radio-ready power-pop ("So That's How It Is," "This Is a Number 5"). It's a nifty trick, one that highlights the band's overflowing surplus of craft and Selzer's many gifts as bandleader, writer/arranger, and, of course, there's those golden ears.-- Corey duBrowa
http://www.oregonlive.com/music/index.s ... lk_we.html
Postao/la exy dana 30/10/2009 13:54
Postao/la victory dana 30/10/2009 14:19
http://rapidshare.com/files/299963397/BHGBTPT_Vic.zipOne-time leader of critically-acclaimed 80s band The Bible, Hewerdine is one of Britain's best-kept singer-songwriter secrets. Well it's high time everyone knew about him, and this beautifully crafted album could do the trick. Recorded in Glasgow earlier this year, effortlessly simple folk-tinged tracks like torch song Rags and love letter Geography beguile and charm.
He’s never seriously troubled chart compilers, arena tour promoters or the mainstream media, but over the last couple of decades Boo Hewerdine has quietly established himself as one of Britain’s most consistently accomplished songwriters.
The closest he ever came to conventional stardom was in the 1980s as the unfeasibly tall singer with the excellent band The Bible, but the cultured quality of his songs has certainly been recognized by his peers. Natalie Imbruglia, Mel C, Suggs and k.d. lang are among those who’ve benefited from his pen and he’s been an influential collaborator with others, notably Eddi Reader, for whom he produced the highly successful Sings the Songs of Robert Burns.
On his first band album for over a decade, we find his finely crafted songs and gently assured voice surrounded by a strong supporting cast, including John McCusker on fiddle, Alan Kelly on accordion, Ewen Vernal on double bass, Stephen Douglas on drums, the amazing Gustaf Ljunggren on keyboards, lap steel and woodwind and Heidi Talbot on backing vocals. Together they contrive a suitably delicate backdrop for Hewerdine’s smoothly shaped material without ever swamping him, resulting in an album of unusual class and sensitivity.
Don’t expect tub-thumping mantras. These are classic, melody-driven love songs which would have been gobbled up by Tin Pan Alley in another era but now, draped in sympathetic, subtle arrangements, offer a soothing antidote to the frantic madness of modern times. Not unlike Richard Hawley’s bittersweet portrayals of Sheffield, Hewerdine paints his scenarios with beguiling attention to detail. “Lying in bed with her the first time I heard Graceland play,” he sings, poignantly reflecting on the perils of long-distance love on Geography; and whether it’s the war-time lovers who search for one other on In Paris After the War or the familiar rituals of self-examination and rebirth of New Year’s Eve, he generally rises above the cascade of sentiment that occasionally threatens to tip into pathos to apply proper emotional values.
A jazzy undercurrent here, a folkie adornment there, but these are timeless songs for all seasons.
http://www.bbc.co.uk/music/reviews/mchf
Postao/la exy dana 30/10/2009 14:21
Karijera Kida Konga Pauersa je jedna od najimpresivnijih u rok muzici. Bio je član sastava „The Gun Club”, „The Cramps” i „Nick Cave & The Bad Seeds”. Retki su muzičari sa takvim pedigreom. Uvek je svirao „zlu muziku za rđave ljude”. Tako se nekako i zove jedna od kultnih ploča na kojima je nastupao – „Bad Music For Bad People” grupe „The Cramps”. Još uvek je veran tom opredeljenju. Na novom albumu njegovog aktuelnog benda „Kid Congo & The Pink Monkey Birds” trešti zla muzika.
Album „Dracula Boots” je drugi koji Kid Kongo snima sa tom postavom. Na repertoaru je frivolni garažni rok. Elementi tzv. treš estetike i rokerskog subžanra poznatog pod imenom ’sajkobili’ upotpunjavaju sliku. Ponuđene pesme mogle bi da budu muzički skor za neki film Rodžera Kormana o maturskoj večeri, adolescentnom seksu, bajkerskim bandama i vampirima.
Psihodelična džungla, kojom Kid Kongo luta od početka karijere, opet je poprište zbivanja. Muzika je rudimentarna, primitivna i sirova. Kidova gitara donosi atmosferu kužnih močvarnih isparenja, velegradske truleži i zadah opasnog, zabranjenog seksa. Basista Kiki Solis i bubnjar Ron Miler obezbeđuju adekvatan ritam. Preko tako konstruisanog zvuka Kid Kongo recituje lascivne tekstove, glasom koji kao da dolazi sa samog dna ljudske egzistencije. Da su se u najmračnijim fazama sopstvenih života Ajk Tarner, Bo Didli i Lu Rid odlučili da snime zajedničku ploču ona bi zvučala kao „Dracula Boots”.
Originalne numere na ovom albumu nisu rok pesme u uobičajenom značenju. Pre se radi o amorfnim zvučnim tvorevinama koje nagoveštavaju bizarnost zbivanja i groteskni karakter likova koji žive u velegradskim kloakama. Numera „La Llarona” bi se mogla naći u nekom novom filmu Roberta Rodrigeza ili Kventina Tarantina, dok bi „Rare As The Yeti” i LSCD dobro funkcionisale kao zvučna zavesa za dokumentarac o odbačenim ljudima sa gradskih pločnika. Obradom pesme „I Find A Peanut”, iz repertoara sastava „Thee Midniters”, Kid Kongo je platio dug svojim hispano korenima. „Funky Fly” Boa Didlija je tu kao posveta čoveku koji je započeo ovu vrstu muzičke avanture.
„Kid Congo & The Pink Monkey Birds” su svirali u Beogradu 27. novembra 2005. godine. Neki su tada rekli da su „seks i grad” u glavnim ulogama u njihovoj muzici. Posle slušanja albuma „Dracula Boots”, čini se da je to tačna opservacija. Za razliku od TV serije istog imena, zbivanja su izmeštena iz fensi galerija i skupih restorana u opasne gradske četvrti, među izmučene otpadnike kojima je seks poslednje utočište, a grad jedino skrovište. Sići na dno ljudskog postojanja i pogledati nagore neki su postavili kao artistički cilj. Šta se vidi iz te rupe, može se naslutiti slušajući Kida Konga i njegov bend.
Žikica Simić -- http://hombrezone.com/?p=4727
On his new album, DRACULA BOOTS, the legendary Kid Congo Powers returns to the psychedelic jungle with a stripped down, no frills set of volcanic songs. Kid, the premier voodoo guitarist for seminal sexy swampy bands like Gun Club. Nick Cave and The Bad Seeds and Cramps is a restless aesthete. He used his earlier solo efforts to explore vocals and mix genres but with DRACULA BOOTS, Kid comes back to his roots as a crackerjack guitarist playing the primitive music that inspired him; the raw sounds of garage and early Chicano rock.
It only made sense to record such glittering gems as Thee Midniters, I Found A Peanut, and Bo Diddley’s, Funky Fly in a high school gymnasium. He did this in a Midwest town called Harveyville with his nefarious Pink Monkey Birds. Bassist Kiki Solis from El Paso,TX. and Drummer Ron Miller from Macon,Ga. provided the southern soul sauce needed to fuel the engine of the rhythm train. Recording on a stage using the old PA system created a natural reverb, summoning the magic of a bygone prom interrupted by a juvenile delinquent rumble.
The original songs on DRACULA BOOTS go from loud, fuzzy biker rock of Hitchhiking to a greasy rump shaker groove of Bobo Boogie, from a scary movie soundtrack, La Llarona to The Meters having an acid flashback of Black Santa.
So sink your teeth into this hunk of wax and waste no time strapping on your DRACULA BOOTS. You will dance your way from the cradle to the grave, and beyond.
http://rapidshare.com/files/253489981/Kid_Congo___The_Pink_Monkey_Birds_-_Dracula_Boots_-_2009.rarPostao/la Mandolay dana 30/10/2009 18:15
dance_r je napisao/la:Can somebody please post the Doveman Album again?
thx
Postao/la Mandolay dana 30/10/2009 18:18
Postao/la Death in Vegas dana 30/10/2009 20:33
Postao/la Death in Vegas dana 30/10/2009 22:35
http://rapidshare.com/files/300149836/Svuda_podji_kuci_dodji.rarPostao/la lumin4 dana 31/10/2009 07:11
http://rapidshare.com/files/287361504/DaiqingTana09.rar
Alternate:
http://rapidshare.com/files/296066024/Daiqingtana.rar
Postao/la exy dana 02/11/2009 11:26
Club des Belugas is one of the leading Nujazz projects in Europe, probably in the world. They combine contemporary European Lounge & Nujazz Styles with Brazilian Beats, Swing and American Black Soul of the fifties, sixties and seventies using their unique creativity and intensity. This beautifully produced CD comes packed with 16 stunning electro flavoured jazzy tracks. As the 4 albums before, Zoo Zizaro is a writers and producers cooperation of Club des Belugas’ founder and all time members “Kitty the Bill” and “Maxim Illion”…. and the most important thing is: they have never been better, Zoo Zizaro is the coronation of their work.
Main members are Maxim Illion & Kitty the Bill, with such exquisite guest vocalists as the Californian Jazz Lady Brenda Boykin, Swedish singer anna.luca, London based Jazz singer Iain Mackenzie, Anne Schnell from Jojo Effect, Ferank Manseed from Newcastle/UK, Dean Bowman from New York, trumpeter Reiner Winterschladen (Nighthawks) and trumpet player Thomas Siffling.
http://rapidshare.com/files/300668094/CLUBDESBELUGAS_ZOOZIZARO.rarPostao/la Death in Vegas dana 02/11/2009 19:56
victory je napisao/la:
Seasick Steve – Man From Another Time (10/2009)
- Kod: Označi sve
http://rapidshare.com/files/293334041/SSMFAT_Vic.zipProduced, written, recorded and engineered by Seasick Steve (with the assistance of engineer Roy Williams), 'Man From Another Time' is a resolutely organic album that eschews modern studio trickery in favour of the warm style of 'live' analogue recording. Everything on the album was performed by Seasick Steve, aside from drums which are credited to his longstanding Swedish sticksman Dan Magnusson.
Seasick Steve utilised a variety of favourite guitars on the album including a one-string Didley-bo (a 2x4 with a string nailed to it), a guitar made out of an old cigar box (with four strings), his famous 3-string Trance Wonder guitar and an old beat-up acoustic guitar. His array of guitars were complimented by a tattered Fifties Fender Tweed Deluxe amp, old Forties ribbon mics and other weird and wonderful vintage microphones. The natural sounds and echoes of the recording rooms were used for reverb and any delays were done with tape.
http://rapidshare.com/files/301457918/Stevica_od_mora_bolestan.rarPostao/la Death in Vegas dana 02/11/2009 22:17
http://rapidshare.com/files/301496307/Yussuf_Jerusalem_-A_Heart_Full_of_Sorrow.rarPostao/la Death in Vegas dana 02/11/2009 23:21
http://rapidshare.com/files/301548974/Purpurna_polja.rarPostao/la marimahunar dana 03/11/2009 20:32
victory je napisao/la:marimahunar je napisao/la:za koga Zikica pise sada ?
politiku, e-novine...
Postao/la marimahunar dana 03/11/2009 20:41
Postao/la covjek_sam_zeno dana 03/11/2009 22:04
lumin4 je napisao/la:DaiQing Tana - Silent Sky
Postao/la Death in Vegas dana 03/11/2009 23:14
http://rapidshare.com/files/301948007/Mondo_Spirit.rarPostao/la exy dana 03/11/2009 23:17
Stav koji je svojevremeno izneo Džek Vajt da staru, dobru rokenrol priču treba ponovo ispričati, definiše najzanimljiviji trend na aktuelnoj sceni. Radi se o nekoj vrsti prosvećenog revizionizma. Dug je spisak onih koji se bave ovim poslom. Uz spomenutog Vajta, glavni likovi su Den Oerbak i Greg Kartrajt. Prastare šeme ukrštaju sa novomilenijumskim artističkim novotarijama. Rokenrol ponovo sjaji „kao iskopan stari mač”.
Prošle godine ovoj ekipi se pridružila grupa filadelfijskih rokera. Okupljeni u sastavu „The War On Drugs” oni su, na fenomenalnom albumu „Wagonwheel Blues”, prepisali Dilanovu muziku mastilom koje su koristili članovi benda „Sonic Youth”. Jedan od njih, čije je ime ni manje ni više nego Kurt Vajl, oglasio se ovih dana solo albumom „Childish Prodigy”. Bluz niske vernosti sa čvrstim rokerskim stavom preuzetim od Boba Dilana i Nila Janga, nalazi se na njemu. Ukrašen bukom, distorzijom i repetitivnim ritmovima, sa asocijacijama na zvuk njujorških andergraund bendova „The Velvet Underground” i „Suicide”, pojavljuje se kao ultimativna ponuda za novu rokersku slušalačku elitu.
Tekućoj produkciji je upravo nedostajao jedan takav album. Na izazove koje novo vreme postavlja pred rok muziku odgovoreno je sa velegradskih pločnika. Otkačeni voz iz pesme „Freak Train”, koji juri šinama koje su postavili Alan Vega i Martin Rev, utočište je za sve urbane nevoljnike. Vodi u rok avanturu sličnu onoj koja je nuđena pasioniranim posetiocima mračnih gradskih izbi u kojima se nekad svirala ova muzika.
I za druge, koji misle da je rok pustolovina započela kada je Robert Džonson prodao dušu đavolu na onom raskršću, postoji ponuda na albumu „Childish Prodigy”. Fatalistički zvuci usne harmonike – kao iz filma „Bilo jednom na Divljem zapadu” – u numeri „Inside Lookin Out”, spojeni sa izobličenim gitarskim zvukom, udaraljkama koje sugerišu neki mračni ritual i histeričnim vokalom, tvore demonsku bluz parafrazu kakvu odavno nismo čuli.
U nekim pesmama – „Heart Attack”, na primer – Kurt Vajl zvuči kao Mik Džeger koji se od londonskog pomodarca zaljubljenog u bluz, pretvorio u putujućeg muzičara iz delte Misisipija. Još jedan fini postmodernistički trik koji album „Childish Prodigy” čini nesvakidašnjim delom. Sličan efekat proizvodi i obrada numere „Monkey”, preuzete iz repertoara njujorške supergrupe „Dim Stars” (Ričard Hel i članovi „Sonic Youth”).
Pesme mladog Kurta Vajla, kao i songovi koje je za drame Bertolta Brehta komponovao njegov slavni imenjak, deo su velikog igrokaza. U ovoj rokerskoj verziji „Opere za tri groša” sociopolitički elementi zamenjeni su odmetničkim stavovima i individualističkim idejama. Distorzirana električna gitara kazuje sličnu priču kao ulični vergl. Rok pesma je nova verzija nekadašnjih moritata.
Žikica Simić --> http://hombrezone.com/?p=4845
Don't judge a book by its cover. Kurt Vile's long-haired hippie appearance may suggest West Coast roots -- even though he's actually a Philadelphian -- but his sound comes straight out of the underbelly of the Big Apple. With a slack-singing style reminiscent of Lou Reed or Alan Vega, and his vocals doused in slap-back reverb, the songs on Childish Prodigy shift between gritty numbers driven by guitar fuzz and steady ballads backed by one-key baritone drones. If this sounds a bit derivative of the Velvets, well, it is and it isn't. Vile and his backing band the Violators are knowledgeable students of the CBGB school of rock, circa Son of Sam, but just when you think you have them pegged as leather-clad street hoodlums on "Freak Train," a shuffling Roland 707 groove topped with a distortion wall and tense yelps ("I've never been so insulted in my whole life! Shit!"), they double back the other way with the mellow, fingerpicked circles of "Blackberry Song." The '70s New York scene makes up a big chunk of this album, but Vile's unique as a visionary with his own sound and a wide range of voices that turn from rambunctious to innocent in a blink. Childish Prodigy is split between drunken caterwauling and quiet hangover-recovery sessions, and both sides of the spectrum are fantastic. The band's spirit is captured perfectly, courtesy of Jeff Zeiglar's open-sounding recording style, and the indie underground rarely seems this fresh and free. http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:wxfpxzwaldae
http://rapidshare.com/files/302008585/Kurt_Vile_-_Childish_Prodigy__2009_.rarPostao/la Death in Vegas dana 04/11/2009 19:07
http://rapidshare.com/files/302394124/meksikanciiduuDiznilend.rarPostao/la exy dana 05/11/2009 11:41
Recorded at Sally Timms' apartment, Chicago late summer 2002 and mixed with Ken Sluiter at Western Sound Lab except track 9 recorded in Brooklyn, NY and mixed by John Marshall Smith.
All instruments Buckner/Langford with John Rice - mandolin and guitar and digital Willy Goulding on some drum kit. -- www.jonlangford.de
We’ve waxed lyrical about Richard at some considerable length on this site before now, so suffice to say the man made two of the most important songs albums of the nineties, end of story. Or not. Since then a series of releases have appeared on his new adoptive home, french Fargo, interspersed with sporadic and inspirational live appearances. Here, an unexpected collaboration with ex-Mekon Jon Langford, conducted three years ago in Sally Timms’ apartment in Chicago yields three new compositions from each, and three co-written tunes. From “Rolling of the eyes” a devilled slide riff shows this to be a true and surprising meeting of minds. The duo play most of the instruments themselves, Langford seems to foster Buckners’ willingness to really cut loose, which has been sensed for a few albums now, but seldom so well executed. It’s a breezy half hour nine tune excursion, Buckner’s demented take on appalachian moan applied to some of the most original phrasing we’ve heard never fails to scare me. “Sweet anybody” is a prime example, and regardless of my somewhat ambivalent feelings towards Langford bless him, anything new from Richard is positively obligatory in our book. -- Boomkat
http://rapidshare.com/files/302656951/Richard_Buckner___Jon_Langford_Sir_Dark_Invader_vs_The_Fanglord.zipTrenutno korisnika/ca: MSN [Bot] i 40 gostiju.
